I think the first time I ever watched “Bull Durham” was around the time I was 12. For years I had shied away from watching it primarily because of the cover. My mom had bought it on VHS around the time I was eight or nine years old. I was curious about it because I had seen “Field of Dreams” and assumed that any baseball movie with Kevin Costner was probably going to be pretty good. At the same time I didn’t like girls, and seeing Susan Sarandon on the cover just didn’t do it for me. I should also point out that seeing Tim Robbins in his underwear and tied up to a bed on the back of the tape jacket didn’t exactly scream “Watch me!!!” So, it sat and collected dust. If I can recall correctly the first time I saw any scenes from it was while it was on during the summer on Comedy Central. There were a few good scenes and a lot of funny lines, but I could also tell that they were edited and censored. I knew that the next time I visited my mom I had to watch it. And the rest is history.
Not only is “Bull Durham” one of the greatest baseball films
of all time, but it’s probably one of the Top 3 most quoted. Not a season goes
by where I don’t use the term lollygagger. I think the time in my life when
this movie held true to its authenticity in the day-to-day routines of
professional ball players came in 1999 and 2000 when I was doing my bat boy
duties for the Bakersfield Blaze. Whether it was in the clubhouse or on the
field at least one of the guys from the team would spout off some sort of
reference to the film; most of the time having to do with fungus growing on the
floor of the shower and how shower shoes were a necessity. If not that, then it
was the unremitting use of the word meat in reference to an up-and-coming
pitcher. Yeeeeeep, those were the good old days, but who am I kidding? Those
days never really ended for me. Every year I venture out to as many Minor
League games I can get it in, and no matter what the level is I can tell who
has seen the film and who hasn’t. It’s almost become a right of passage for anyone
who decides to cleat up and make a go at it professional.
I think one thing that I’ve found very intriguing about this
hat is that it was truly made famous by the film. While the Durham Bulls were a
real club as early as 1902, it was the A-level affiliate of the Atlanta Braves
from 1980-1997 that became iconic because of the film which came out in 1988.
This hat was first introduce for the 1986 season, a year before filming began,
and it is still used today in the form of a navy blue style for batting
practice and a two front white paneled version for home games. Because of the
success and nostalgia of the film, any thoughts for changing things up have
pretty much gone out the window. As far as any notables from the 1986 squad are
concerned, there were a few: Jeff Blauser, Ron Gant, Chris Cron and David
Justice. In 1998 the original Bulls were relocated to Myrtle Beach, South Carolina
and became the Pelicans. The current Bulls squad is a new team that has been
the AAA franchise of the Tampa Bay Rays who also come into the league the same
year
As far as marking this hat is concerned; there were two
numbers I couldn’t pass up.
#8- I read a review once which said that Kevin Costner’s
portrayal of Crash Davis was the worst character of all three of his baseball
films. That critic can go to hell. Crash Davis could not have been more perfect
of a character by any other actor… except maybe Timothy Olyphant if there is a
remake, but I hope there isn’t; just throwing that out there. Anyway, Crash was
the kind of wily veteran figure that any ball club needs at any level. He knows
the game, he knows what kind of talent he’s working with, and most importantly
he knows how to get the girl in the end… even if she is sloppy seconds. True
story. Aside from calling a good came, Crash can still hit. I mean, the guy
held the record for most career Minor League home runs at 247, at which he
subsequently retired after his final long fly with the Ashville Tourists near
the end of the film. The real record is actually held by Mike Hessman who is
currently still playing ball in the Cincinnati Reds organization, but that post
is upcoming. Crash knew how to deal with the media; he knew how to handle his
pitchers even if that meant giving up a home run or two to get them to focus.
Yes, Crash Davis is a true man for all seasons if you will; however, there was
one thing in the film that has bothered me for years. This…
As you can see the #20 is affixed to Crash’s catcher helmet;
however, he has the #8 on the back of his jersey. One of two things can be
taken from this.
1. A blatant continuity error that only some film and hat aficionado
like myself would notice.
2. Because it’s A-level ball; the equipment gets recycled
year-after-year.
To be honest, I mostly buy into option two, but, I’m still
keeping an eye on the situation.
#37- Tim Robbins did a wonderful job at playing the young,
but mentally absent phenom Ebby Calvin LaLoosh. I’ve been around a number of
guys like him in my lifetime. You know, the guy who KNOWS he’s going to be a star and can bed
any woman he pleases. I’m not going to name names, but yaaaaaaaahhhh. At the
beginning of the film LaLoosh was a hit or miss kind of pitcher. He struck out
as many as he walked, but all the kid needed was a bit of guidance to help
correct his wild ways on and off the filed. Enter Crash Davis. Like most relationships the bond that
Crash and Nuke shared was tumultuous at first, but as games went by the two
become familiar with one another, comfortable. Nuke matured in front of our
eyes with additional assistance from Annie Savoy played by Sarandon. Not only
was she able to get him to breathe through his eyelids like the lava lizards of
the Galapagos (and Fernando Valenzuela), she was also able to help him relax on
the field and hone in on his pitches while wearing this…
The one thing that I’ve always found most intriguing about
this movie is that while baseball is the overwhelming topic of discussion, the
real story that’s going on is a family’s love. Despite the fact that Nuke and
Annie were obviously banging each other, what really going on is that Nuke is
really trying to get that sort of female attention he never really received in
life. Proof of this comes when Nuke introduces Annie to her father when his
losing streak comes to an end. While we don’t get to know much about him, it’s
pretty obvious that Nuke comes from a one parent home and that his father did
the best to raise him with the game of baseball. Crash’s role is the sterner
role of the father that Nuke never received. While his actual father obviously
supports what Nuke wants to pursue for a career, he doesn’t know how to
discipline him on the field. Crash knows how to control him and get him to a
Major League caliber level. This is why, in the end, when Nuke finally makes
the Show Annie is saddened by the news. Year after year she had a new player to
entertain and have fun with, but this is the first time she truly feels lonely
after he leaves. Crash and Annie were always flirtatious, but while Crash
wanted her to commit to just him, she didn’t know or understand how to do that.
Now that Nuke (essentially their kid) is all grown up, they can finally be
together.
I may or may not have written a paper on this subject, but that was
the Cliff’s Notes version. This film is important to anyone who has ever picked
up a ball or merely watched from afar. It’s funny, it’s quirky, it’s romantic, and
it’s all the things that make baseball so special.
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